I'm a sucker for nostalgia. I can honestly say that I'm tearing up right now at the thought of wearing my mother's wedding gown for my big day. I'm also tickled that she said I can do anything I want to it.
My scanner is acting bloopy, otherwise I'd show you the sketch I have for Pettibonifying this dress, but here's a rough outline:
1. Detach tank straps and reshape bodice neckline to a wide scoop.
2. Remove alencon lace over bra area and cover with gathered silk.
3. Use alencon as flanges to shape bust line at outer seams and create cap sleeves.
4. Reshape skirt to a sheath.
5. Add alencon appliques to lower the waistline and obscure it.
I'm hoping to accomplish all that without ever removing the skirt from the bodice and keeping the zipper in tact. (insert incredulous "HA" here)
What's in a name?
Monique Lhiullier. I can only imagine what popped into your head. There is a Monique Lhiuller silk ballgown at my favorite local thrift shop. On half price day, that puppy will be a whopping $95. It's covered in plastic, a floor sample castoff, pristine. All silk. And it fits me. I'm so tempted.
Do I love the dress? Not really. But it's a Monique.
... with Claire Pettibone. True story: They tell a newly engaged bride to tear out magazine pages. Keep a file of everything you like. I've been doing this with dresses for a while. Unbeknownst to me, over half of the dresses I kept filed in my Big Bridal Folder are from one designer: Claire Pettibone.
I always freak out when I sketch up a dress idea and then mysteriously find it in a designer's collection. Like this:
Love love love these looks:
I admit that I would secretly love to help support a family in China, rather than make the dress myself. Is that "Bad Sewist" ?
PS Blogger you are killing me with this spacing between paragraphs. ARG.
I've been crushing on this pattern for a looooong time:
The Vogue 2880 Bellville Sassoon misses dress. It has that Spanish-princessy thang that appeals to my undercover Rican-ness. Its sassy, yet sweet. And it looks flamin' good on that pattern envelope. I bought the pattern over a year ago and stashed it, waiting for an event that would give me enough lead-time to get it done.
Fast-forward to wedding obsession. I've been digging through the stash, trying to frankenpattern a dream dress. And there is 2880. Hmmmm. Maybe with the right fabric this could be a great wedding dress...
Enter Pattern Review. I checked out the reviews other people have posted on this dress. The word is that 2880 is tedious: a billion pattern pieces, time consuming, notions out the wazoo, tricky fabric. Ok, Ok. I can deal with all that. But it was the pictures.
Let me begin by saying this is in no way a reflection on those PR members who have clearly accomplished a great thing by creating this dress. While the dresses I saw in the review photos were beautiful and obviously well crafted, the fact is that the pattern envelope lies. The real-life dress on real-life bodies is, imho, waaaaay different than the sassy red number worn by the Angelina-esque model Vogue used on the pattern envelope. Sigh.
On the flipside, could you imagine if we didn't have PR? Thanks again, Deepika.